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Asylum Of The Daleks Recapped!

So, Asylum Of The Daleks, eh? What’s that all about then? If only somebody could provide a useful recap to tell you…

Lured to the original planet of the Daleks by a distress call from one Darla Von Karlsen, the Doctor swiftly works out that he’s been lured into trap. Once he figures it out, a Dalek eyestalk and gun emerge from Darla’s body and the Doctor is shot.

Fortunately, not only is he not dead, but the maritally-challenged Amy and Rory have been captured by similar methods and all three are now in rather a lot of trouble.

See, they’ve been captured by the Daleks, who take up the unusual chant of “Save the Daleks!” and fire the Doctor and co at a planet containing the Asylum of the Daleks (after giving them protective wristbands), from whence is coming an unusual signal; a song from Carmen…

On the surface, they find the remains of a downed ship (the Alaska) and the remains of her crew. Surprisingly, they promptly turn into more of the pseudo-Roboman Dalek puppets seen earlier. It turns out that happens to anyone who stays there too long due to the Nano Cloud (nanogenes, making a return from The Empty Child) without the protection of wristbands. Shockingly, the Dalek puppets took Amy’s off her wrist.

Keeping his wristband very firmly on his wrist is Rory, who got separated from the others upon landing and is now right in the middle of the Dalek asylum. He accidentally wakes them up (in a chilling scene) and is guided to safety by Oswin Oswald’s voice on the intercom while the Doctor and Amy make their way to them. Along the way, the Nano Cloud infection causes Amy to go a tiny bit mental; she sees dancing ballerinas and people dressed up, when they’re actually the insane Daleks having a ball.

Once Amy and Rory are reunited after an incident with a self-destructing Dalek, they still have to keep Amy loved-up, so the Doctor leaves them alone while he goes to retrieve Oswin (played, in what must be one of the best-kept secrets of Nu Who, by new companion Jenna-Louise Coleman). This presents the Ponds with an all-too-convenient chance to solve their marital difficulties (in which Rory brings up the perfectly valid point that he loves her more than she loves him). This whole plotline is possibly cleared up much too quickly and is symbolic of the whole “fairytale relationship” aspect of the Ponds’ marriage.

Meanwhile, back at the ranch, the Doctor has to go through what passes for the Dalek equivalent of Intensive Care. This naturally terrifies the living [Kaled - Language Ed] out of him and he hammers on Oswin’s door, begging to be let in. After a while, she does, seemingly delaying merely to delete all information on him from the telepathic database of the Daleks. Once he’s in, his problems are just beginning. Because Oswin is a Dalek herself - the end stage of the process seen earlier with the Dalek puppets.

Jenna Louise Coleman as Clara Oswin in Doctor Who: Asylum of the Daleks

This is rather troublesome to say the least; obviously the Doctor can’t take an insane Dalek back with him (albeit a Dalek that used to be human - Oswin was one of the former crewmembers of the Alaska, a genius working as a Junior Entertainment Manager). And Oswin, upon realising the truth of her situation, almost immediately tries to kill the Doctor. She backs down at the last minute, and turns off the force-field. Since that’s the only thing stopping the Dalek ship in orbit from blowing up the planet, it’s probably best that the Doctor and company get out of there sharpish.

Taking advantage of the teleporter that Amy and Rory have been standing on for the last several minutes after having resolved their marital difficulties with a quick discussion (too quick if you ask us), they beam back onto the Dalek spaceship…right into the TARDIS. This rather neatly gets round the difficulty of beaming back onto the ship without getting shot on sight (the Daleks were hoping the Doctor would be taken out with the planet, see) and serves to antagonise them further by serving them with a mystery (since their collective memory was erased, all they see is a mysterious stranger teleporting aboard and taunting them).

This leaves the Daleks repeating Dorium Maldovar’s mantra: “DOC-TOR WHO? DOC-TOR WHO?” and once he’s dropped Amy and Rory off home, the Doctor starts chanting it in jubilation, marvelling at the new power this gives him over the Daleks. Fade out…

Next week: Dinosaurs On A Spaceship!

PodKast with an Asylum!

Brian Terranova gets close to Amy PondThis week in the Kasterborous podKast (with a “K”) we focus on Brian Terranova’s experiences at the Asylum of the Daleks preview in New York”.

With stories and recollections from the event, Brian tells us everything we need to know about this potentially triumphant return for the Daleks, without giving anything away at all!

In addition, we have a chat about Pond Life and also summarise Steven Moffat’s recent comments concerning Doctor Who scheduling and iPlayer.

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As always, along with the player above, you can subscribe to our RSS feed (a popular way of keeping track of and automatically downloading podcasts) and you will find the podKast listed on iTunes!

You can also use the player in the top of the right sidebar.

If you would have any thoughts or responses to this week’s topic, or would like to contribute to future recordings with topic ideas or comments, you can do so by leaving your comments below or dropping us a line via the Contact Us page.

Series 7 Previews in DWM 451!

Doctor Who Magazine Previews Series 7aDoctor Who Magazine issue 451, published on Thursday 30 August, features exclusive previews of the new series of Doctor Who – and the show’s executive producer, Steven Moffat, teases the ultimate fate of the Ponds:

[quote]“As you’ll be able to tell from the end of Episode 5, I’ve had the very last moment of Amy Pond in my head for quite some time…”[/quote]

Available in three different covers (as seen here - click to view in a larger resolution), the new issue of DWM previews three episodes of the new series, going behind the scenes to talk to cast and crew…

ASYLUM OF THE DALEKS – DWM takes over the Asylum for Doctor Who's most ambitious episode yet. Matt Smith shares his thoughts on the Doctor’s arch enemies, Steven Moffat on the challenges of keeping the Daleks fresh and how Karen Gillan and Arthur Darvill feel about the beginning of the end for Amy and Rory.

DINOSAURS ON A SPACESHIP – it’s an episode of Doctor Who packed to the rafters with dinosaurs. On a spaceship! Writer Chris Chibnall reveals how his script lived up to that title, and what challenges did the FX team face on bringing so many dinosaurs to life?

A TOWN CALLED MERCY – guest stars Adrian Scarborough and Ben Browder on how thrilled they were to join Doctor Who for an adventure into the Wild West, how the crew enjoyed their time on location in sunny Spain, and what writer Toby Whithouse thought of being out of his comfort zone.

ALSO IN THIS ISSUE:

THE USUAL SUSPECTS – the writers of the new series are given the once over by Doctor Who’s executive producer, Steven Moffat (including himself!) in a curtain-raising Production Notes.

Doctor Who Magazine Previews Series 7aGUILTY AS CHARGED? – John Nathan-Turner was Doctor Who’s most colourful and controversial producer, guiding the show to dizzying heights, but perhaps a few lows too. Luminaries and experts from Doctor Who past and present assemble for the first in a two-part feature to assess the work of the series’ longest-serving producer in The Trial of John Nathan-Turner.

COLD FRONT – the Doctor, Amy and Rory arrive in Prague in the dying days of the Cold War. Revolution is on the horizon, but the Doctor senses something unreal in the air. What is the significance of the book The Sorrows of Prague, and why will Yuri Azarov and his terrifying companion stop at nothing to retrieve it? Part One of The Broken Man, the latest comic strip written by Scott Gray with art from Martin Geraghty.

IS THIS DEATH? – companions come and go, but should they ever die? Johnny Candon and Toby Hadoke weigh up the pros and cons of crash-landing to Earth in an out-of-control freighter, or heading off into the sunset to marry Brian Blessed in A Battle of Wits.

TAKE ART – DWM’s intrepid Time Team – Chris, Emma, Michael and Will – go for gold as the Doctor and Rose land in an ordinary housing estate where extraordinary things are happening as children are going missing, trapped in the drawings of Chloe Webber. Will the Doctor make it to the opening ceremony of the 2012 Olympics as The Time Team views Fear Her?

Doctor Who Magazine Previews Series 7aCOMING OF AGE ­– Doctor Who’s 21st year saw a season packed with exciting cliff-hangers, companion departures, a tour de force performance from the leading man, andarguably the finest Doctor Who story ever made. Countdown to 50 reaches 1984 and Series 21.

ALL IN THE MIND – mind-sucking alien parasites, prison riots, a nerve-gas missile and the Master at his most scheming – find out how the Third Doctor, Jo and UNIT fought The Mind of Evil in this month’s Fact of Fiction.

LIGHT MY FIRE – the Watcher warns of the pitfalls of predicting the near future as A History of Doctor Who in 100 Objects reaches number 22 – the Olympic Torch. Was the 2012 of Fear Her remotely like the real thing? Also stare into the eyes of The Six Faces of Delusion, flick through The Stockbridge English Dictionary and marvel at the Supporting Artist of the Month in Wotcha!

With a choice of THREE different covers, DWM 451 is on sale from Thursday 30 August, priced £4.50.

Enter the Asylum…

With the Asylum of the Dalek premiere at the British Film Institute on Wednesday the BBC Doctor Who team were on hand to grab interviews with Matt Smith, Karen Gillan, Steven Moffat, and Caroline Skinner.

In this exclusive video, the team have managed to capture the excitement and the anticipation of a brand new series of Doctor Who and there hopes for the future.

The screening was followed by a Q&A hosted by Richard Bacon who shares his opinion on the episode along with all the other action from the night’s festivities below.

Head to www.bbc.co.uk/blogs/doctorwho/articles/Enter-the-Asylum and get a feel for what the evening was like…

Asylum of the Daleks airs on BBC One and BBC HD soon.